A quiet anniversary for Teatro Peón Contreras 2 years after fire
Shuttered since a ruinous fire two years ago, the Teatro José Peón Contreras is clad in scaffolding, and its stage is silent. And it likely will remain that way until late 2025, according to INAH.
The restoration of the Jose Peon Contreras will continue for at least 10 more months, said Anna Goycoolea Artís, the head of the National Institute of Anthropology and History.
An investment of 120 million pesos, or US$6 million, is budgeted to restore the theater.
The grand Péon Contreras was inaugurated on Dec. 21, 1908 in the city of Mérida. It was designed by architects Pío Piacentini, Enrico Deserti, and Fernando Ceicola.
It replaced the San Carlos Theater, built in 1807 and renamed in 1878 with the name of the Yucatecan playwright José Peón Contreras.
In 1899, the Mérida Theatre Company was established to provide the city with what was considered modern theater. Work on the building we see today began in November 1900.
Construction was suspended in 1902 and resumed in 1906, with new owners, la Sociedad Regil, Portuondo and Co.
The first performance under its roof was “A Musical Literary Evening” by the Spanish actor Enrique Borrás.
But live performances disappeared In 1940, when the theatre became the Peón Contreras Cinema. Its time as a movie theater lasted until 1974, when the building was closed.
In 1977, state lawmakers wrangled federal funds to declare the Peón Contreras Theater a National Artistic Monument. With this measure, it was expropriated by the Yucatán state government in 1979. It has been a public building ever since.
Rehabilitation work began in 1980, and by December 1981, it was reopened and regained its place as the region’s most elegant cultural space for live dance, opera, orchestras and singers.
From 2004 until the Nov. 1, 2022 fire, the theater was home to the Yucatán Symphony Orchestra. Today, the OSY performs at the modern Music Palace auditorium.
The fire has been attributed to a short circuit in the third-floor sound booth. The most difficult thing to restore has been the fresco of the nine muses of Apollo by Nicolás Allegretti in the upper dome. It will have to be repainted, and debate remains over whether the new imagery should replicate the muses or portray a more inclusive and socially relevant theme.
Officials have been quiet about the renovation. Members of the press or public have taken the only photos of the work being done. No date has been set for the theater’s reopening.
With information from Novedades Yucatán

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