Experience The Bullhorn Workshop of Yaxunah
In the Maya community of Yaxunah, in the municipality of Yaxcabá, a group of artisans has transformed a discarded material into a unique craft.
The Cuerno de Toro workshop operates as part of a community tourism initiative and has become a distinctive example of how traditional craftsmanship can evolve while preserving cultural identity.
The workshop is run by members of a group called Káanbal Kuxtal, which in Yucatec-Maya translates to “learning to live.” The income generated from sales of the crafts created contributes to the education of the artisans’ children.
From Wood Carving to Bullhorn Working
The artisans who carry out this work did not begin their careers with bullhorn-shaping materials.
This background provided a foundation for learning to work with the medium of bullhorns. The group comprises both men and women, some of whom are quite young.
Each artisan has developed their own specialization and distinctive style. This diversity of approaches within the workshop allows for a wide variety of designs. Each person brings their own creative vision to the material.
The collaborative nature of the workshop encourages the sharing of techniques and ideas. Artisans learn from one another while developing their individual artistic voices.
The Establishment of the Workshop
The Fundación Haciendas del Mundo Maya facilitated the workshop’s establishment. This nonprofit organization works with Maya communities across the Yucatán Peninsula.
The foundation invited the community to participate in the creation of social enterprises. They provided training to help the groups establish themselves as sustainable businesses.
This initiative was part of a broader effort to develop community-based tourism in Yaxunah. Visitors are offered authentic cultural experiences while economic opportunities are created for residents.
The bullhorn workshop now operates alongside a hammock-weaving space and a seed bank. Gastronomic experiences are also offered as part of a sustainable tourism model. The community is also home to the archaeological site of Yaxuná, famous for its 100km sacbé or white road that connects it with the powerful ancient city of Cobá.
The Transformation Process
Working with bullhorn is a labor-intensive process that requires patience, skill, and a deep understanding of the material’s properties. The horns used in the workshop are obtained from sources (mostly in and around Tizimin) where they would otherwise be discarded.
The natural material displays a remarkable range of tones. These tones range from dark black through various browns to translucent amber.
The artisans take advantage of this natural color variation in their designs. The process of preparing the horn for crafting involves several stages.
The first step is the extraction and cleaning of the material.
The artisans then subject the horn to intense heat, which softens the keratin and makes it more pliable for shaping.
After the burning process, the horn undergoes scraping to remove outer layers and rough spots. Polishing brings out the natural luster of the material.
Carving and Fretwork Techniques
The primary techniques employed in the workshop are carving and fretwork. Carving involves cutting and shaping the horn to create three-dimensional forms.
Fretwork consists of cutting intricate patterns and piercing the material to create delicate, openwork designs. In some cases, pieces are assembled from multiple components.
This requires careful fitting and joining of the different parts. The final product can be a simple, elegant piece of jewelry or a more complex decorative item.
The workshop also undertakes larger commissioned pieces. Picture frames adorned with fretwork triangles of horn are among these larger items.
These pieces demonstrate the full range of the group’s skills in transformation, carving, fretwork, and assembly.
The Pieces Created
The variety of items produced in the Yaxunah workshop is considerable. Jewelry remains the most common category of production.
The artisans create earrings, necklaces, bracelets, and pendants. Each piece is distinguished by unique designs that reflect the individual artisan’s specialization.
The natural color variations in the horn allow for pieces that range from dark and dramatic to light and translucent. Some designs incorporate the natural curve of the horn.
Other designs use flattened plates of material as the baseline for more intricate work.
Beyond jewelry, the workshop produces picture frames and decorative items, and even 3D logos and trophies.
The versatility of the material allows for both small, delicate accessories and more substantial decorative objects.
The Interactive Visitor Experience
Visitors to the workshop have the opportunity to observe the artisans at work. They can also create their own piece of horn jewelry.
This interactive element allows visitors to gain a deeper appreciation for the skill and effort involved in the craft. The piece they create can be taken home as a souvenir.
This hands-on experience strengthens the connection between visitors and the community. It also provides an additional source of income for the workshop.
The Origins of Horn Working in Yucatán
The practice of working with bullhorns in Yucatán has roots that extend back to the colonial period.
The craft is historically related to the work of the conchero. The conchero was an artisan who worked with tortoiseshell, known as carey.
Artisans observed that bullhorns possessed properties similar to tortoiseshell. This made it a viable alternative for creating large combs, necklaces, jewelry boxes, among other items.
This substitution was not merely practical but also sustainable. It reduced pressure on marine turtle populations while allowing artisans to continue their craft.
If You Go
To schedule a visit to the bullhorn workshop or any of the other of the activities run by the cooperative in Yaxunah, visit https://tallermaya.org/pages/contact or send a WhatsApp message (not SMS) to +52 999 163 6108.

Senior Editor Carlos Rosado van der Gracht, PhD, is a journalist, photographer, and expedition leader. Born in Mérida, Carlos holds degrees from universities in Mexico, Canada, and Norway. Most recently, he earned a doctorate in Heritage Studies in 2026.





